ceallaig1:

ghoulnextdoor:

Firebird  - Works - Rob Goodwin
Headpieces and other costume accessories designed by Rob Goodwin for the English National Ballet’s new production of Stravinsky’s Firebird - performed at the London Coliseum in March 2012 as part of their ‘Beyond Ballets Russes’ programme. The ballet was choreographed by George Williamson with designs by David Bamber - who is Design Director at Tom Ford. Photography: Diego Indraccolo - Ballerina: Ksenia Ovsyanick

She is living, breathing artwork!
Zoom Info
ceallaig1:

ghoulnextdoor:

Firebird  - Works - Rob Goodwin
Headpieces and other costume accessories designed by Rob Goodwin for the English National Ballet’s new production of Stravinsky’s Firebird - performed at the London Coliseum in March 2012 as part of their ‘Beyond Ballets Russes’ programme. The ballet was choreographed by George Williamson with designs by David Bamber - who is Design Director at Tom Ford. Photography: Diego Indraccolo - Ballerina: Ksenia Ovsyanick

She is living, breathing artwork!
Zoom Info
ceallaig1:

ghoulnextdoor:

Firebird  - Works - Rob Goodwin
Headpieces and other costume accessories designed by Rob Goodwin for the English National Ballet’s new production of Stravinsky’s Firebird - performed at the London Coliseum in March 2012 as part of their ‘Beyond Ballets Russes’ programme. The ballet was choreographed by George Williamson with designs by David Bamber - who is Design Director at Tom Ford. Photography: Diego Indraccolo - Ballerina: Ksenia Ovsyanick

She is living, breathing artwork!
Zoom Info
ceallaig1:

ghoulnextdoor:

Firebird  - Works - Rob Goodwin
Headpieces and other costume accessories designed by Rob Goodwin for the English National Ballet’s new production of Stravinsky’s Firebird - performed at the London Coliseum in March 2012 as part of their ‘Beyond Ballets Russes’ programme. The ballet was choreographed by George Williamson with designs by David Bamber - who is Design Director at Tom Ford. Photography: Diego Indraccolo - Ballerina: Ksenia Ovsyanick

She is living, breathing artwork!
Zoom Info
ceallaig1:

ghoulnextdoor:

Firebird  - Works - Rob Goodwin
Headpieces and other costume accessories designed by Rob Goodwin for the English National Ballet’s new production of Stravinsky’s Firebird - performed at the London Coliseum in March 2012 as part of their ‘Beyond Ballets Russes’ programme. The ballet was choreographed by George Williamson with designs by David Bamber - who is Design Director at Tom Ford. Photography: Diego Indraccolo - Ballerina: Ksenia Ovsyanick

She is living, breathing artwork!
Zoom Info
ceallaig1:

ghoulnextdoor:

Firebird  - Works - Rob Goodwin
Headpieces and other costume accessories designed by Rob Goodwin for the English National Ballet’s new production of Stravinsky’s Firebird - performed at the London Coliseum in March 2012 as part of their ‘Beyond Ballets Russes’ programme. The ballet was choreographed by George Williamson with designs by David Bamber - who is Design Director at Tom Ford. Photography: Diego Indraccolo - Ballerina: Ksenia Ovsyanick

She is living, breathing artwork!
Zoom Info

ceallaig1:

ghoulnextdoor:

Firebird  - Works - Rob Goodwin

Headpieces and other costume accessories designed by Rob Goodwin for the English National Ballet’s new production of Stravinsky’s Firebird - performed at the London Coliseum in March 2012 as part of their ‘Beyond Ballets Russes’ programme. The ballet was choreographed by George Williamson with designs by David Bamber - who is Design Director at Tom Ford. Photography: Diego Indraccolo - Ballerina: Ksenia Ovsyanick

She is living, breathing artwork!

The baton then passed to Don McGregor, who talked about his time working on Black Panther, saying that writing an all black cast was controversial at the time. “People kept asking, where are the white people? So I had the Panther fight the Ku Klux Klan.”

LMAO (via stareintothemaggotdrawer)

This is the best goddamn response I have ever seen

(via ai-yo)

supernatural-tardis:

i had a crush on this guy and i decided to pull a Pavlov on him by offering him whenever i saw him  this brand of candy he seemed to really like and after a while whenever he saw me he got excited for a second then you could see his expression shift to wondering the why the hell was he so happy to see me and i swear it was the evilest thing but also the most hilarious i made a guy like me by conditioning him into associating me to a candy he liked